At the press screening, the final credits were greeted by a sudden nasal exhalation from us critics: the sound of people realising they have been holding their breath. A la fois très connue, reconnue et méconnaissable, elle a joué ici avec son image pour rendre possible le processus particulier du film. And I'm someone who still watches this director's horses-in-the-surf Guinness commercial on YouTube and gasps.

Lire la critique de Under the Skin. Fond noir ! Puis la nature... ?,Why The ACCLAIM?? Her naked body (displayed at length in the movie) is all that's necessary to get the average heterosexual male to follow her anywhere. At any rate, our alien is soon up and running in her Ford Transit, seducing wide-eyed males who can't believe their good luck and are quite right not to. En vous remerciant, Bon Réveillon ! Such achievements tend to allow films to be classed as masterpieces.

Ses yeux verts l’observent fixement. You can never forget it is Johansson on the screen, and that is surely the point. She greets the stunned menfolk with an unreadably polite half-smile. The comparisons with the works of Stanley Kubrick (whom I dislike) and Terrence Malick (whom I like) are ridiculous. (The final credits reveal that as well as a personal assistant, Johansson had a "personal security" team. Is it a pretentious gloss on a very old story about men's fear of women, and women's discomfort with their own allure? What’s under the film’s surface is intriguing enough, but it’s the surface itself that holds you in a dark trance.

At one stage, she and her van are surrounded by guys with Celtic scarves. Même maquillée comme un camion volé, tout les Ecossais veulent sauter Scarlett.

She winds down the passenger-side window, artlessly engages them in conversation, and takes them back to her place. Ils ne méritent pas qu'on leur accorde l'indépendance. Qui est-elle, au juste ? I'd rather see this as more similar to David Lynch, though, again.

At the seashore, she witnesses a complex "rescue" scene in which earthling emotions of pity and compassion are on display – feelings she does not share. I took mom to see Under The Skin yesterday. Aside from the explicit sexual themes, disturbing imagery and nearly wordless plot progression, bringing mom was a good idea. It's the equivalent of regular audiences jumping to their feet and applauding. Scarlett Johansson in beguiling sci-fi Under the Skin.

I don't remember the last time I walked out on a movie, even so this is not the case because I saw it all, however never did I have the before the urge of leaving the theater since 30 min in.

What is Good in This?? ?,Is Because the FIRST NAKED SCARLETT MOVIE???. Une... This film is not for everyone because it's so incredibly arthouse, but I honestly think that if people talked about the film, they'd see it in a new light. J'aurais voulu trouver une formule aussi mordante pour donner mon avis sur ce film, mais je ne fais que l'emprunter. Si vous avez une suggestion de film de moins de 50 min donc, je suis preneur.

We see what looks like a rivulet of blood and debris being funneled down a conveyor belt of some type, followed by disturbing musical tones, and then a bright piercing of reddish light engulfs the screen.

She’s never less than interesting to watch, but Under the Skin is a big waste of her time. Or perhaps that is another expired alien whose shape is being reused. The most staggering scene is one in which the alien picks up a young man with the facial disfigurement of neurofibromatosis, played by Adam Pearson. Plus the promise of gorgeous views of the Scottish countryside really paid off, which was perhaps what mom liked most. The result is visually stunning and deeply disturbing: very freaky, very scary and very erotic. At times the film is right on the border between mesmerizing and narcotizing, but it casts an otherworldly spell. An alien seductress (Scarlett Johansson) preys upon hitchhikers in Scotland. La mission est élémentaire tant les terriens sont rudimentaires : on ramasse, on chauffe, on consomme.

She is such a stunning example of the human female form, that there would be no need for extraterrestrial powers. The amateur look of the shots is not intentional, evidently: it's just this is an amateur film, only made with a lot of money and starring Scarlett Johansson; with all the flaws, the inexperience and the pretentiousness and none of the genuineness, the back-to-the-roots feel, or the love for film history an actual amateur film would feature.

Her alien is voluptuous, superbly insouciant, unaffected by her surroundings – though I think feeling the cold a tiny bit.

That word may not be too weighty for Glazer’s towering curio. Check box if your review contains spoilers. Dans le miroir, son reflet fait de même.

A truly extraordinary trick has been pulled off: Under the Skin manages to foster empathy with an entity as isolated from human experience as an avalanche or a weather system. Aside from the explicit sexual themes, disturbing imagery and nearly wordless plot progression, bringing mom was a good idea.

If this were 70's sci-fi maybe I'd have given it a pass but now it just passed as pretentious BS. Ici, on aime l'esprit critique. Her naked body (displayed at length in the movie), Spoiler alert: quite intentional that Scarlett Johansson would be cast as the otherworldly predator sent to capture human men. The alien is transferred to Scotland's dark, rainy streets and it – she – appears to have a minder, who rides a motorbike, and secures for her a human bodyshape from a dead girl retrieved from the roadside. Un point lumineux s’agite autour de formes obscures. Lire l'avis à propos de Under the Skin, Le film s'ouvre sur un oeil, un regard qui se forme, une langue qui se prononce maladroitement. Johansson is brilliant. • Interview: Jonathan Glazer on why the film took a decade to make, Jonathan Glazer's sci-fi horror-flick, starring Scarlett Johansson as an extraterrestrial roaming Glasgow in a white van, picking up men, is visually stunning and deeply disturbing, A-list alien … Scarlett Johansson at large in Glasgow in Under the Skin, Walter Campbell from the 2000 novel by Michel Faber, Richard Burton first took her to Port Talbot, Bertrand Tavernier's Glasgow film Death Watch.

I took mom to see Under The Skin yesterday.

This is a pure intravenous injection of mood.

There are memories of An American Werewolf in London and even, in the alien's loneliness, a touch of ET. Ici, on ne sait pas vraiment, le film ne livrant aucune explication "superflue" -, Glazer a réalisé un road movie hivernal et cafardeux, dans les rues de Glasgow et sur les routes, puis finalement dans les forêts... She is the ultimate Rangers supporter. The empty skin floats aimlessly in the black void, twisting like a plastic bag in the wind. Le regard est le centre du film, son rouage essentiel.

21 Alien Invasion Movies, Ranked from Worst to Best. 18/04/2014. Lire la critique de Under the Skin. The trailer promised a lot more than it would eventually deliver. Jonathan Glazer's sci-fi horror is loosely adapted, or atmospherically distilled, by Walter Campbell from the 2000 novel by Michel Faber. Oh my God. The heroine is an alien predator at large in Scotland. From these genuine crowds, professional actors will seamlessly emerge for dialogue scenes. 16/07/2017. 2014 saw the release of the highest-scoring new movie in Metacritic's... Over the next month, we'll be collecting year-end top ten lists from... Music title data, credits, and images provided by, Movie title data, credits, and poster art provided by. But Glazer places his film in such a different and unexpected locale: in tough city streets more associated with Andrea Arnold or Ken Loach. I'd rather see this as more similar to David Lynch, though, again, comparison is ridiculous.

Lire la critique de Under the Skin, L’argument est éculé : la belle alien humanoïde, planturoïde attire les mâles en rut pour un coït s’inspirant de celui de la mante religieuse.

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