[24] Marelli reads Bouteldja alongside debates on these themes in the work of Hannah Arendt, James Baldwin and Gershom Scholem, and concludes that the invocation of "revolutionary love" found in Whites, Jews, and Us as well as in works by Baldwin and C. L. R. James constitutes (in Jacques Rancière's terminology) "the horizon of a new political subjectivation. [5][6] Its title, "Shoot Sartre! [25], Nazia Kazi notes that Bouteldja speaks from a liminal position, "between black and white, global north and south, innocence and guilt. Hence my question: what can we offer white people in exchange for their decline and for the wars that will ensue? The courage to shake up our worthy consciences when we prefer to forget what we gain from being whites, here in the West. Because I share Gramsci's anxiety: “The old are dying and the new cannot be born; in this interregnum a great variety of morbid symptoms appear.” The fascist monster, born in the entrails of Western modernity. Whites, Jews, and Us was denounced by French critics as anti-Semitic, misogynistic and homophobic.

[16] Marusek praises Bouteldja's "positioning of love both beyond and entrenched within the injustice of today’s world" and her rejection of essentialism,[17] and concludes that the argument "that revolutionary love is fundamental to the decolonial project is both bold and inspired.

To put it crudely: for years now, my social media feeds have been full of white people railing against "white people. [1][2][3], The chapters that make up the first half of the book deal with questions of solidarity and invite self-reflection on the part of the reader. At this transitional moment in the history of the West—which is to say, at the moment of its decline—Bouteldja offers a call for political unity that demands the recognition that whiteness is not a genetic question: it is a matter of power, and it is high time to dismantle it. "[25] Marelli continues: "Any attempt to show that equality doesn’t exist in France causes malicious backlash. Houria Bouteldja is a French-Algerian political activist and writer focusing on anti-racism, anti-imperialism, and Islamophobia. In a letter signed by Christine Delphy, Annie Ernaux, Catherine Samary, Isabelle Stengers and 16 others, published in Le Monde in June 2017, the authors accused Bouteldja's critics of character assassination and of having failed to read Whites, Jews, and Us beyond the title "or at most a few misrepresented citations.

Today we publish over 30 titles in the arts and humanities, social sciences, and science and technology. [10] An open letter signed by Ilan Pappé, Adi Ophir, Sylvère Lotringer, Ronit Lentin, Sarah Schulman, Ariella Azoulay and 14 others described Guénolé's accusations as "outrageous" and argued that he failed to understand either racism or anti-Semitism or to acknowledge Bouteldja's conception of "revolutionary love". Whites, Jews, and Us: Toward a Politics of Revolutionary Love (French: Les Blancs, les Juifs et nous: Vers une politique de l'amour révolutionnaire) is a 2016 book by the French-Algerian political activist Houria Bouteldja [fr], first published in English in 2017.
Such love will not come without significant discomfort for whites, and without necessary provocation.


[28], Su'ad Abdul Khabeer compares Bouteldja's discussion of France to the treatment of the United States in the work of the literary critic Hortense Spillers and argues that "both theorists challenge the casting of colonized people as peripheral or ancillary to the modern nation-state, and to modernity as a whole. "[26] Kazi argues that the controversy around the book occurred "because it was unapologetic, marked with none of the lilting softness demanded of us when we speak about race, marked with no quarter for white fragility nor concern for whom it might offend. [8], Bouteldja is critical of both white feminism and a variant of indigenous feminism that fails to trace the connections between masculine violence and western patriarchy. [3], Thomas Guénolé, a member of the left-wing party La France Insoumise, accused Bouteldja of racism and anti-Semitism. [4] The first chapter deals with Israel by considering Jean-Paul Sartre's views on Israel and Palestinian self-determination, and the role of Israel in debates on the French left.

Such a love, she specifies, is not about the "heart" as a sentimental or spiritual figure, Islamic or otherwise.

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